Like with most computing methods, there are several ways to achieve the same result.īTW, the sound quality at 192/24 is very sweet indeed, even for the very old material from the 60’s. If anyone knows of any shortcuts or quicker routines, I’m all ears, so to speak. I’m not familiar with Wave Editor, or other OSX sound editors, but I would imagine, the function we want to use is a basic operation and should be easy enough to adapt. There’s a pdf that goes through a step by step process attached to this post that explains the whole procedure. Ĝreate markers from the text file time stamps into the large file Rip as per CA method to the creation of the large single FLAC file Once Sound Forge created the smaller FLAC files, I used MP3tag Editor ( ) to bring them into the Music Library for playback by Audirvana +. I used this method to rip all discs in the set. When playing these files from a standard BD player, HDMI to AV receiver, the music just wasn’t emotionally involving, very flat, so when the ripping guide for BD was posted by Chris, I had this project in mind to follow up on. The BD I used was the Neil Young’s archive set, which contains 192/24 files. Sound Forge is able to extract to the frame, so I would not expect any nasty jumps or clicks during playback saves as FLAC, so why not have a go. I don’t use Sound Forge that often, and I don’t claim to be a pro, so for those of us that have access to a sound editor and not needing the learn VB scripts, cue editing et al, I created a guide to create smaller files just using simple copy and paste routines. I could have bought Adobe Audition (nee Cool Edit) but a few years ago I bought the bullet on a full version of Sound Forge, so subsequent upgrades have cost very little. So, make use of what tools you have, in this case a sound editor program, Sound Forge. The syntax and codes are hard work that my poor brain could not grasp and I do not have (want) JRiver to import them into. In trying to follow the excellent guide for ripping Blu-Ray audio, I came to a brickwall when it came to the cue sheet and a cue sheet editor. YMMV of course but that seems to be what I hear from this particular rip. Somewhat like hearing DSD converted to PCM.you lose some subtleties somewhere along the line. The SQ sounds very different listening to the bluray proper with DTS-HD than the flacs with just the PCM information. It leads me to believe that I am only getting the core DTS and not the extra bits in the HD. I believe (based on very subjective AB) that I just received the DTS portion of the file which was somehow made into PCM.the DTS-HD part did not come as part of the rip I did for whatever reason. FWIW when I ripped the Wilson Blu ray I got PCM files. In fact these seem like a piece of cake to rip compared to some of the other problem discs discussed here (the lady gaga thing, Steve Wilson's DTS-HD masterpiece, ect). There seem to be more variables than are present in the PF discs. It would be nice if you could maybe address discarding the dolby stream or transcoding it to LPCM, as well as preserving the more esoteric (and superior sounding) DTS-HD (as opposed to the DTS core) in flac or wav. So how can I get the 24/96 audio to play back on my BluRay Home Cinema Set (Philips HTS3560)?įunny, you guys are trying to get the AC3 out of your rip, and I'm wondering how to preserve the DTS-HD in the extraction! Chris, can you help us out here? There are a lot more things going on in Blu Ray than PCM.in fact PCM seems like just about the last thing they use on the discs these days. Unfortunately if I select output DTS instead of FLAC I get separate WAV files (I expected to get. Personally I think the only way is to output to DTS and then create an MKV file containing the DTS audio files. What options do I have to get the three 24/96 rips to be played on my home cinema set (either lossy or lossless. I cannot imagine that my new Philips BluRay Home Cinema Set does not support 24-bit/96kHz audio, because if that were the case, buying the Immersion box would give me the same issue, right? It sounds like some kind of copy-protection, but on my PC is no issue! Is there something I missed in specific configuration settings of eac3to? If I play the WAV on my BluRay Home Cinema Set (via USB) I hear this TERRIBLE noise, with the music almost unaudible in the background (similar to playing a DTS track on a non-DTS compatible audio device). If I play the WAV on the PC everything sounds ok So instead of output to FLAC I did output to WAV (which is recognized by the home cinema set). Your tutorial works fine, and I have the flac files that play on my PC, but there is no way I can use them on my BluRay home cinema set, which is the only suitable place to listen to the album in surround.
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